Moriah Mills ormahleechar nm,
taking a composite look
at
the plethora of imagery
that detail(s) appreciation
for and of
the magnificent beauty
of
the female humanoid body
and
parts of the body of the female humanoid
it would seem that
an effort at achieving a distillate
would distil the imagery
into
TWO ( 2 ) MAIN CATEGORIES,
viz :
█(1.0) THE GENERAL MOTION IMAGERY
and
█(2.0) THE NON-MOVING IMAGERY
Moriah Mills aezeegboh nm,
Moriah Mills ezigbo nm,
for our own purposes
we can define these 2 categories
in simple terms
thus :
█(1.0) THE GENERAL MOTION IMAGERY
we can define this category of images
as
the grouping / group / aggregation of images
in which
part(s) of
or
all of
the content of the imagery is moving
i.e
as
the grouping / group / aggregation of images
in which
part(s) of
or
all of
the content of the imagery
showcases some motion.
this type of imagery is seen in
some videos,
some video-clips
and
some gifs.
█(2.0) THE NON-MOVING IMAGERY
we can define this category of images
as
the grouping / group / aggregation of images
in which
none of
i.e
no part(s) of
the content of the imagery is moving
i.e
as
the grouping / group / aggregation of images
in which
none of
i.e
no part(s) of
the content of the imagery
showcases any motion.
this type of imagery is seen in
photos.
it is also seen in screen-shots.
it is also sometimes seen in
some videos,
some video-clips
and
some gifs.
moving on forwards,
Moriah Mills aezeegboh nm,
Moriah Mills ezigbo nm,
with regards to :
█(1.0) THE GENERAL MOTION IMAGERY
we can further sub-divide this category
into
perhaps
at least
3 major sub-categorizations
although
if we wish to go for detail
we can further sub-divide this category
into
perhaps
at least
5 major sub-categories
as follows,
viz :
█■(1.0.1) THE DORSAL PERSPECTIVE MOTION IMAGERY :
which seem(s)
to
essentially dwell
on
the beauty of the body of the female humanoid
when in motion
from
a dorsal perspective
i.e
rear perspective
i.e
back perspective
i.e
posterior perspective.
Moriah Mills nnmah nm, it may be of some value for us to note that it would seem that the walking movement of the female humanoid when observed from the DORSAL VIEW PERSPECTIVE wherein she seemingly or in reality walks away from the ( eyes of the ) viewer is sometimes referred to as a WALK-AWAY
█■(1.0.2) THE FRONT VIEW MOTION IMAGERY :
which seem(s)
to
essentially dwell
on
the beauty of the body of the female humanoid
when in motion
from
a front view perspective
and
which do(es) not seem with specific regards to the walking movement i.e the walking motion of the female humanoid
to have
thus far
as at date
11 MARCH 2025
acquired
.. as far as i can tell ..
a special terminology
for this categorization
that
equates
or
equalizes
the Walk-Away Terminology
when
the female humanoid
is
walking towards the viewer
i.e
walking facing the direction of the viewer.
█■(1.0.3) THE SIDE VIEW MOTION IMAGERY :
which seem(s)
to
essentially dwell
on
the beauty of the body of the female humanoid
when in motion
from
a side view perspective
and
which
also
do(es) not seem with specific regards to the walking movement i.e the walking motion of the female humanoid
to have
thus far
as at date
11 MARCH 2025
acquired
.. as far as i can tell ..
a special terminology
for this categorization
that
equates
or
equalizes
the Walk-Away Terminology
when
the female humanoid
is
walking with the side of her body inclined towards the viewer
i.e
with the side of her body facing the viewing direction of the viewer.
Moriah Mills nm,
sometimes
this category
has been
described
or
referred to
under the terminology
Walk-a-Slay
… a terminology
which seems to
sometimes
encompass
also
the Front View Motion Imagery.
█■(1.0.4) THE POSTEROR-LATERAL VIEW MOTION IMAGERY :
this can/may also be called
THE DORSO-LATERAL VIEW MOTION IMAGERY
█■(1.0.5) THE ANTERIOR-LATERAL VIEW MOTION IMAGERY :
Moriah Mills nm,
it would seem that
despite
the extensive vista of imagery
showing
the female humanoid in walking movement
i.e
the female humanoid in walking motion,
there is a dearth of descriptive terminology
i.e there is a paucity of descriptive terminology
for
the various perspectives
from which
i.e
in which
the walking motion of the female humanoid
i.e
the walking movement of the female humanoid
can
be seen
i.e
visually observed
i.e
viewed
and that
the major descriptive terminologies available
in the general parlance
are restricted to
the terminologies
Walk-Away
and
Walk-a-Slay.
Moriah Mills ormahleechar nm,
perhaps,
for our own purposes
we may
find it of value to
introduce and use
our own terminologies
for
describing
the walking motion of the female humanoid
i.e
the walking movement of the female humanoid.
in this regards,
perhaps,
the FIRST DESCRIPTIVE TERMINOLOGY OF OURS
should be
the terminology
WALK-ALONG.
this terminology
Walk-Along
is
a GENERAL COVER TERMINOLOGY that
applies to
all forms
of
the walking motion
i.e
the walking movement
of
the female humanoid
whether visually observed
from the side,
from the back
or
from the front.
i guess
we can term
the motion / movement of the female humanoid
when
her side faces the eyes of the viewer
as
the WALK-ALONG SIDE VIEW PERSPECTIVE IMAGERY.
i guess
we can additionally term
the movement / motion of the female humanoid
when
she is walking facing the eyes of the viewer
as
the WALK-ALONG ANTERIOR VIEW FRONT PERSPECTIVE IMAGERY.
with regards to
our use of the terminology
GENERAL MOTION IMAGERY,
it may be of value
for us
to note
for our own purposes
that
the terminology MOTION
is
a broad categorisation
as
there can be motion of and by the human subject(s) in an image
without
any sort of walking at all
being done
in
i.e
within
( the entire content of )
that image.
if we
.. for our purposes ..
wish to be specific
that
we are referring to
imagery in which there is walking movement
i.e
imagery in which the motion there is
specifically
walking
and not
for example
running
or
boxing
or
jumping,
etc
we may probably use the terminology
GENERAL WALKALONG IMAGERY ( by the way, Moriah Mills eefeh artuh nm, perhaps, for our own purposes, we should refer to our own escalation(s) i.e addition(s) i.e contribution(s) into the language i.e wordings for the description of the walking motion i.e walking movement of the female humanoid as the MORIAH MILLS AND SAMMY OJEKWE VOCABULARY FOR THE WALK-ALONG MOVEMENT OF THE FEMALE HUMANOID or if you will as the MORIAH MILLS AND SAMMY OJEKWE VOCABULARY FOR THE WALK-ALONG MOTION OF THE FEMALE HUMANOID ).
█■(2.0) THE NON-MOVING IMAGERY
we can also further sub-divide this category
into
perhaps
at least
3 major sub-categorizations
although here also
if we wish to go for detail
we can further sub-divide this category
into
perhaps
at least
5 major sub-categories
as follows,
viz :
█■(2.0.1) THE REAR VIEW NON-MOVING IMAGERY : –
which
seems to
essentially
dwell on the beauty of the body of the female humanoid
from
a dorsal perspective
i.e
rear perspective
i.e
back perspective
i.e
posterior perspective.
█■(2.0.2) THE FRONT VIEW NON-MOVING IMAGERY : –
which
seems to
essentially
dwell on the beauty of the body of the female humanoid
from
a front perspective
i.e
anterior perspective.
█■(2.03) THE SIDE VIEW NON-MOVING IMAGERY : –
which
seems to
essentially
dwell on the beauty of the body of the female humanoid
from
a side perspective
i.e
lateral perspective.
█■(2.0.4) THE POSTEROR-LATERAL VIEW NON-MOVING IMAGERY : –
this
can/may also
be called
THE DORSO-LATERAL VIEW NON-MOVING IMAGERY
█■(2.0.5) THE ANTERIOR-LATERAL VIEW NON-MOVING IMAGERY : –
Moriah Mills nnmah nm,
it would seem that :
█(1) the mOOd Challenge
is
based on
a front view perspective
of
the human subject(s)
in that image
█(2) the gOOd Booty Challenge
is
based on
a back view perspective
of
the human subject(s)
in that image
█(3) the waIst Challenge
is
based on
a front view perspective
of
the human subject(s)
in that image
█(4) the Period Challenge
is
based on
a side view perspective
of
the human subject(s)
in that image
Moriah Mills omalicha nm,
it is
in regards to
the
P Challenge
Period Challenge
that i posit that
the Period Challenge
while reflecting detail of
the magnificent beauty of the body
of the female humanoid
from the side perspective
i.e
the lateral perspective
IS RESTRICTED IN SCOPE
TO A PERSPECTIVE OF THE FEMALE BODY
WHEN SHE IS FACING TO i.e WHEN HER THORAX, ABDOMEN AND LOWER LIMBS ARE FACING TO i.e WHEN HER TORSO AND LEGS ARE FACING TO i.e WHEN HER BODY AND LEGS ARE FACING TO
THE LEFT OF A VIEWER IN HER FRONT
WHO THEN SEES CLEARLY
THE P-SHAPE SEMBLANCE
OF
HER GLUTEAL REGION AND
HER LOWER LIMB(S)
i.e
OF
HER BUTTOCKS
AND
HER LEG(S)
AND
IN IT’S VERY TERMINOLOGY
DOES NOT
TAKE INTO COGNIZANCE
OR
OTHERWISE REFLECT
the magnificent beauty of the body
of the female humanoid
from the side perspective
i.e
the lateral perspective
WHEN SHE IS FACING TO i.e WHEN HER THORAX, ABDOMEN AND LOWER LIMBS ARE FACING TO i.e WHEN HER TORSO AND HER LEGS ARE FACING TO i.e WHEN HER BODY AND LEGS ARE FACING TO
THE RIGHT
OF A VIEWER
IN HER FRONT
WHO THEN SEES CLEARLY
THE SMALL ALPHABET q-SHAPE SEMBLANCE
OF
HER GLUTEAL REGION AND
HER LOWER LIMB(S)
i.e
OF
HER BUTTOCKS
AND
HER LEG(S).
Moriah Mills omalicha nm,
based on the foregoing
i thus indicate to you that
IN ALL FAIRNESS
there should additionally be a
q Challenge.
Moriah Mills nma nm,
the P Challenge terminologies
seem(s) to
have
extrapolated
that P Shape to
the USA-ism Period
( which i guess in this usage
may
equate
the International English / Queen’s English / English Grammar
Full Stop sign . )
i guess that’s an area i will let alone.
however for
the q Challenge
i am not quite sure yet
if i prefer the q
to = queen
or
to = quintessence
or
to = quintessential
so, right now,
we have
q = queen
q = quintessence
q = quintessential
and
therefore
on extrapolation
we also have
derivative there from
q Challenge = queen Challenge
q Challenge = quintessence Challenge
q Challenge = quintessential Challenge
Moriah Mills nm,
which of these 3 variants do you prefer ?
personally,
i guess
i would go for
q Challenge = quintessence Challenge
also,
i wonder if
perhaps
you agree with me that
for our own purposes
we can term the advocacy above
for the q Challenge
i.e
for the quintessence Challenge
as
THE MORIAH MILLS AND SAMMY OJEKWE ADVOCACY
FOR THE q CHALLENGE
i.e
as
THE MORIAH MILLS AND SAMMY OJEKWE ADVOCACY
FOR THE quintessence CHALLENGE
and while i am keeping a look out for your response,
tell me,
Moriah Mills omalicha nm,
whose q Challenge imagery
i.e
whose quintessence Challenge imagery
IN COMBINATION
with
her p Challenge imagery
i.e
her period Challenge imagery
is/was .. has been .. remains ..
the VERY GREATEST OF ALL TIME ?
█[1.1] MORIAH MILLS
[ COUNTRY : UNITED STATES OF AMERICA ]
[ OTHER RELEVANT DATA, IF ANY : ]
█[1.2] PEBBELZ DA MODEL a.k.a NATASHA O. X. FITZGERALD :
█[1.2] CHRISY CHRIS
[ COUNTRY : UNITED STATES OF AMERICA ]
[ OTHER RELEVANT DATA, IF ANY : ]
█[1.3] GRACIE BON
[ COUNTRY : PANAMA ]
[ OTHER RELEVANT DATA, IF ANY : ]
█[1.4] CHEROKEE D ASS a.k.a YOHANNA RENEE KERR
[ COUNTRY : UNITED STATES OF AMERICA ]
[ OTHER RELEVANT DATA, IF ANY : ]
█[1.5] VICTORIA CAKES a.k.a ANDREA CRABTREE
[ COUNTRY : UNITED STATES OF AMERICA ]
[ OTHER RELEVANT DATA, IF ANY : ]
█[1.6] LETHAL LIPPS a.k.a MONIQUE DE CLOU
[ COUNTRY : UNITED STATES OF AMERICA ]
[ OTHER RELEVANT DATA, IF ANY : ]
█[1.7] MONROE SWEETS a.k.a BRITTNEY MAYHEW
[ COUNTRY : UNITED STATES OF AMERICA ]
[ OTHER RELEVANT DATA, IF ANY : ]
█[1.8] MS DAMN a.k.a ARI POCHE
[ COUNTRY : UNITED STATES OF AMERICA ]
[ OTHER RELEVANT DATA, IF ANY : ]
█[1.9] ZMEENA ORR
[ COUNTRY : UNITED STATES OF AMERICA ]
[ OTHER RELEVANT DATA, IF ANY : ]
█[1.10] LALA KOI
[ COUNTRY : UNITED STATES OF AMERICA ]
[ OTHER RELEVANT DATA, IF ANY : ]
█[1.11] IRENE THE DREAM
[ COUNTRY : UNITED STATES OF AMERICA ]
[ OTHER RELEVANT DATA, IF ANY : ]
█[1.12] CHERIZE ROSE
[ COUNTRY : UNITED STATES OF AMERICA ]
[ OTHER RELEVANT DATA, IF ANY : ]
[ TO BE CONTINUED ]
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