Moriah Mills ormahleechar nm,

taking a composite look
at
the plethora of imagery

that detail(s) appreciation
for
the magnificent beauty
of

the female humanoid body
and
parts of the body of the female humanoid

it would seem that

an effort at achieving a distillate

would distil the imagery

into
TWO ( 2 ) MAIN CATEGORIES,
viz :
(1.0) THE GENERAL MOTION IMAGERY
and
(2.0) THE NON-MOVING IMAGERY


Moriah Mills aezeegboh nm,
Moriah Mills ezigbo nm,
for our own purposes
we can define these 2 categories
in simple terms
thus :

(1.0) THE GENERAL MOTION IMAGERY
we can define this category of images
as
the grouping / group / aggregation of images
in which
part(s) of
or
all of
the content of the imagery is moving
i.e
as
the grouping / group / aggregation of images
in which
part(s) of
or
all of
the content of the imagery
showcases some motion.

this type of imagery is seen in
some videos,
some video-clips
and
some gifs.


(2.0) THE NON-MOVING IMAGERY
we can define this category of images
as
the grouping / group / aggregation of images
in which
none of
i.e
no part(s) of
the content of the imagery is moving
i.e
as
the grouping / group / aggregation of images
in which
none of
i.e
no part(s) of
the content of the imagery
showcases any motion.

this type of imagery is seen in
photos.

it is also seen in screen-shots.

it is also sometimes seen in
some videos,
some video-clips
and
some gifs.


moving on forwards,
Moriah Mills aezeegboh nm,
Moriah Mills ezigbo nm,
with regards to :

(1.0) THE GENERAL MOTION IMAGERY
we can further sub-divide this category
into
perhaps
at least

3 major sub-categorizations

although
if we wish to go for detail

we can further sub-divide this category
into
perhaps
at least

5 major sub-categories

as follows,
viz :

(1.0.1) THE WALK-AWAY MOTION IMAGERY :
which seem(s)
to
essentially dwell
on
the beauty of the body of the female humanoid
when in motion
from
a dorsal perspective
i.e
rear perspective
i.e
back perspective
i.e
posterior perspective.


(1.0.2) THE FRONT VIEW MOTION IMAGERY :
which seem(s)
to
essentially dwell
on
the beauty of the body of the female humanoid
when in motion
from
a front view perspective

and

which do(es) not seem
to have
thus far
as at date
11 MARCH 2025

acquired
.. as far as i can tell ..
a special terminology
for this categorization
that
equates
or
equalizes
the Walk-Away Terminology.


(1.0.3) THE SIDE VIEW MOTION IMAGERY :
which seem(s)
to
essentially dwell
on
the beauty of the body of the female humanoid
when in motion
from
a side view perspective

and

which

also

do(es) not seem
to have
thus far
as at date
11 MARCH 2025

acquired
.. as far as i can tell ..
a special terminology
for this categorization
that
equates
or
equalizes
the Walk-Away Terminology.

Moriah Mills nm,
sometimes
this category
has been
described
or
referred to
under the terminology

Walk-a-Slay .

. a terminology
which seems to
sometimes
encompass
also
the Front View Motion Imagery.


(2.0) THE NON-MOVING IMAGERY

into perhaps at least 3 major categorizations as follows
, viz :

(2.0.1) The Rear View Imagery – which seems to essentially dwell on the beauty of the body of the female humanoid from a dorsal perspective i.e rear perspective i.e back perspective i.e posterior perspective.


(2.0.2) The Front View Imagery – which seems to essentially dwell on the beauty of the body of the female humanoid from a front perspective i.e anterior perspective.


(2.03) The Side View Imagery – which seems to essentially dwell on the beauty of the body of the female humanoid from a side perspective i.e lateral perspective.


Moriah Mills nnmah nm,
it would seem that :

(A.1) the mOOd Challenge is based on a front view perspective of the human subject(s) in that image



(2) the gOOd Booty Challenge is based on a back view perspective of the human subject(s) in that image

(3) the waIst Challenge is based on a front view perspective of the human subject(s) in that image



(4) the Period Challenge is based on a side view perspective of the human subject(s) in that image



Moriah Mills omalicha nm, it is in regards to the

P Challenge

Period Challenge

that i posit that

the Period Challenge while reflecting detail of the magnificent beauty of the body of the female humanoid from the side / lateral perspective

IS RESTRICTED IN SCOPE

TO A PERSPECTIVE OF THE FEMALE BODY

WHEN SHE IS FACING TO

THE LEFT OF A VIEWER IN HER FRONT

WHO THEN SEES CLEARLY

THE P-SHAPE SEMBLANCE

OF

HER GLUTEAL REGION AND
HER LOWER LIMB(S)

i.e

OF

HER BUTTOCKS
AND
HER LEG(S)

AND

IN IT’S VERY TERMINOLOGY

DOES NOT TAKE INTO COGNIZANCE
OR
OTHERWISE REFLECT

the magnificent beauty of the body of the female humanoid from the side / lateral perspective


WHEN SHE IS FACING TO

THE RIGHT

OF A VIEWER
IN HER FRONT

WHO THEN SEES CLEARLY

THE SMALL ALPHABET q-SHAPE SEMBLANCE

OF

HER GLUTEAL REGION AND
HER LOWER LIMB(S)

i.e

OF

HER BUTTOCKS
AND
HER LEG(S).


Moriah Mills omalicha nm, based on the foregoing

i thus indicate to you that IN ALL FAIRNESS

there should additionally be a

q Challenge.


Moriah Mills nma nm, the P Challenge terminologies seems to have extrapolated that P Shape to the USA-ism Period ( which i guess in this usage may equate the International English / Queen’s English / English Grammar Full Stop sign . )

i guess that’s an area i will let alone.

however for

the q Challenge

i am not quite sure yet

if i prefer the q

to = queen

or

to = quintessence

or

to = quintessential

so, right now,
we have

q = queen

q = quintessence

q = quintessential

and

therefore

on extrapolation
we also have derivative there from


q Challenge = queen Challenge

q Challenge = quintessence Challenge

q Challenge = quintessential Challenge

Moriah Mills nm, which of these 3 variants do you prefer ?

personally, i guess i would go for

q Challenge = quintessence Challenge

and while i am keeping a look out for your response,

tell me, Moriah Mills omalicha nm, whose q Challenge imagery i.e whose quintessence Challenge imagery IN COMBINATION with her p Challenge imagery i.e her period Challenge imagery is/was .. has been .. remains .. the VERY GREATEST OF ALL TIME ?



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[ TO BE CONTINUED ]



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Samuel Ojekwe is essentially just your basic everyday fellow that you see in your neighbourhood while you go about doing your stuff and who, like you, wishes and hopes that the world becomes a better place for all of us.